He is invited to assist in the rollout of Kollektiv 2.0 at Facility 3826, but he finds that robots massacred most human personnel. Sechenov explains that Petrov sabotaged the Kollektiv 1.0 node and asks P-3 to apprehend Petrov. With his AI partner CHAR-les (nicknamed 'Charles') attached to his glove, P-3 must confront homicidal robots and failed biomechanical experiments while dealing with growing mental instability. P-3 tracks down Petrov and finds out that he is working with Filatova. Petrov flees and is apparently killed by a robot. Meanwhile, the Politburo grows suspicious about what is happening. Because this isn't a film or a flick, this is Cinema.Molotov, a member of the Politburo threatens to shut down Sechenov's 'Atomic Heart' project. Lastly, for those who want their daily dosage of immediate dopamine and faster pacing in the theatre instead of experiencing a meticulously guided journey, you could wait a few more months for yet another copy paste Fast and Furious flick or a Marvel movie laden with green backdrops and fan-service. The movie's runtime takes it's time in setting up it's pieces, with the finale leaving you utterly spellbound at the sheer magnitude and scale of the events transpiring right in front of your eyes.

Nolan balances the intimacy between the characters while simultaneously juxtaposing it with some of the most impactful scenes ever shown on the big screen. The cast is just as incredible as you would expect it to be, and the screenplay flows naturally, with a breathtaking score that justifiably draws parallels from Hans Zimmer's profound work in Interstellar. It's incredibly intimate and divisive, with the onus of it's justification being put on the audience instead of the narrator. Oppenheimer is thus a culmination of Nolan's cinematic genius combined with an incredible story that changed the world in more ways than one.

As VFX and special effects take over the traditional filmmaking methods, Nolan is among the remaining few directors who still builds grandiose true-to-life sets and reflects cinematic setpieces by filming them instead of digitising them.

Song from atomic heart trailer